Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Ostade, Adriaen van
Villagers Merrymaking at an Inn

ID: 19718

Ostade, Adriaen van Villagers Merrymaking at an Inn
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Ostade, Adriaen van Villagers Merrymaking at an Inn


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Ostade, Adriaen van

Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).   Related Paintings of Ostade, Adriaen van :. | An Alchemist | Peasants Making Merry in a Tavern | The Drinker and the Smoker | Sight | Villagers Merrymaking at an Inn |
Related Artists:
LELY, Sir Peter
Dutch/English painter (b. 1616, Soest, d. 1680, London Dutch painter, draughtsman and collector, active in England. By a combination of ability and good fortune, he rapidly established himself in mid-17th-century London as the natural successor in portrait painting to Anthony van Dyck. Between van Dyck's death in 1641 and the emergence of William Hogarth in the 1730s, Lely and his successor, Godfrey Kneller, were the leading portrait painters in England. After the restoration of the monarchy in 1660, Lely dominated the artistic scene, and his evocation of the court of Charles II is as potent and enduring as was van Dyck's of the halcyon days before the English Civil War. Although Lely's reputation was seriously damaged by portraits that came from his studio under his name but without much of his participation, his development of an efficient studio practice is of great importance in the history of British portrait painting. The collection of pictures, drawings, prints and sculpture
Giovanni Martinelli
Italian Baroque Era Painter, 1610-1659
George H Story
1835-1923






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